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The Rhetoric of Negation in Osofisan's Who's Afraid of Solarin

Let me start by admitting the obvious, that drama is not primarily an art of discourse. If that is so, then what has it to do with rhetoric to justify...

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Style and the Realization of Committed Discourse in Wole Soyinka's From Zia with Love

If there is any African literary critic who has enjoyed much critical attention and fame, it is Nigeria's Wole Soyinka whose creative versatility is g...

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That Nebulous Geography of Power: Reading Dictatorship and Governance in Soyinka's Power Plays

This essay examines Wole Soyinka’s dramatization of power, dictatorship, and governance through his “power plays” such as Kongi’s Harvest, Dea...

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